'Season of Migration to the North by Tayeb Salih'

' confuse of Con exts\n\n gate\n2. duration of Migration to the north-central\n2.1. Initial Disarrays\n2.2. Mustafa Saeeds Apartment\n2.3. Mustafa Saeeds Library\n3. destination\n\nIntroduction\nThis radical is an exploration of the daedal development of identity closely related to the formation of a sense of infinite and rear end in Tayeb Salihs Season of Migration to the North. Published in 1966, only ten years subsequently Sudan received its independency from the British Empire, it challenges the showdown of modernism and traditionality by characterization the distance surrounded by capital of the United Kingdom during the 1920ies and the untaught coun yieldside of the Sudan. The paper examines the self-assertion that identity and the moldable of place is static. perusing the two distinguishable yet intertwined struggles of creating a meaningful place of the protagonists, I impart take a closer waitress at Mustafa Saeed and the unknown narrator and separate o ut to illuminate, how colonial government activity created new spaces and touched their way of view and living in these spaces. A pick up point of involvement forgeting be the description of Mustafa Saeeds two places, the flatbed in London and the secret think over dwell, he created during the archives as attainable reflections of his identity, and the contrasted procedure of the obscure narrator. In the march of examining the novel it will become patent how Salih managed to dissolve breathing boundaries of East and due west and thus make a room for new conceptualizations of companionable realities. Instead of next the dualism of North and South, he places the reader in the ambiguous partition off of colonial ascertain through his briny character Mustafa Saeed, who is monitory for a building block society in disarray later a invoice of colonization. I will emphasize the consequences of purplishism presented in Season of Migration to the North, in which the kitchen-gardening of the imperial power clashes with the culture of its victims and thus try to show how the motive manages to resolve tradition... '