R arly fire it be verbalize that one movie passel define a genre, but never is that more truthful than in the case of The Godfather (1972). The film acquired ten Academy honour nominations and was named Best Picture. Since its release, gangster movies have been judged by the standards of this one, unfair as the comparison may be. It is an exquisitive maffia classic that constructs a compel saga from outstanding performances.
        This epic story traces the history of the close-knit Corleone Mafia Family and organization over a ten-year period. Family loyalty and blood ties are juxtaposed with brutal and vengeful blood-letting and the inevitable downfall of the family. Romanticized scenes of the home(prenominal) home life of members of the family - a family wedding, shopping, a baptism, kitchen cooking, etc., are intertwined with scenes of horrific violence and murder contracts - a total of 23 deaths covey the film. Over 50 scenes involve food and throw.
The film opens in the study of Don Vito Corleone (Marlon Brando), the Godfather, who is holding court. He is the spider at the center of the web of deceit, murder, and larceny. It is the wedding of his daughter Connie (Talia Shire) and while guests eat, drink and dance on the lawns of his spacious estate, Corleone grants an audience to people who indirect request something from him - a service that no one else can provide.
It is said that on the day of a wedding, no Sicilian can refuse a request on that day. So the supplicants come, distributively wanting something different - revenge, a husband for their daughter, a break down in a movie. His visitors range from the lowliest undertaker to the most storied singer, Johnny Fontane (Al Martino), but they all have something in common. subsequently Corleone has granted...
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